LOTR News 03/12

  • Ian McKellen new favourite to win Oscar
  • LOTR DVD release
  • SAG Awards: Sir Ian opening / acceptance speech
  • The Globe/SAG equation
  • Happily, all nominees deserve the accolades
  • Magic of Hobbits still attracts fans
  • Oscars: All to play for
  • Oscars' hype puts movie fan in right frame for awards night
  • Monsters, Hobbits top Japanese box office
  • "Hobbit Forming Rings Fire"


    Lord of the Rings' a costly venture
    Interest Alert

    It's a sure bet that for years to come the incredible movie "Lord of the Rings: The Fellowship of the Ring" and its possible sequels will pay handsome monetary rewards to backers.

    But, according to the New York Post, the mega-costly movie was a logistical nightmare to produce.

    Here are some of the mind-boggling stats from the production of the film:

    46,000 swords and scabbards were used
    1.2 million hand-linked rings; 900 suits of armor
    15,000 costumes
    350 wigs
    1,600 pair of prosthetic Hobbit feet
    More than 40 full-time tailors were employed for the filming
    a quarter of a million silk leaves were attached to "trees" on sets
    more than 20,000 extras were used and there were 114 speaking roles
    The movie was shot on more than 100 sets and locations and three million feet of movie film was used.

    But, as those who have seen it can attest, the results were amazing. Currently in its 12th week of national distribution, "Rings" has grossed nearly $300 million.


    Ian McKellen new favourite to win Oscar
    Ananova

    The odds on Ian McKellen winning an Oscar have been cut after his win at the Screen Actors Guild awards.

    The Lord Of The Rings star has taken over from Jim Broadbent as the favourite to win Best Supporting Actor.

    Russell Crowe, Sissy Spacek and Jennifer Connelly remain the favourites to take the other acting awards.

    McKellen is now quoted at odds of 11/10 compared to Broadbent's 13/8.

    Connelly's odds have shortened from 6/4 to 2/5.

    Peter Jackson remains the favourite to win the Best Director award but the bookies think Lord Of The Rings will lose out to A Beautiful Mind for the Best Picture Oscar.


    LOTR DVD release news
    dvdfile.com

    Alright, alright, here it is! Since we probably get more email on Lord of the Rings these days than Star Wars or Indiana Jones, if you just can't wait to find out what New Line's plans are for the Lord of the Rings DVD release(s), well, you don't have much longer to wait. As is the case these days with big releases, we just received an announcement of... the announcement. On Tuesday, March 26, New Line will be prepping the world for the new Lord of the Rings DVD and VHS releases, and needless to say, it's gonna be huge! So check back on March 26 for the big news...


    SAG Awards: Sir Ian opening speech
    SAG Awards Good evening. Good evening, I am a professional actor and I have been for 40 years now. I wasn’t fit for anything else, frankly. And I’ve generously been given just a moment or two to talk about acting. [laughter]

    Well, William Shakespeare, of course, put it well: “All the world’s a stage and all the men and women merely players. They have their exits and their entrances and one man in his time plays many parts.”

    And if you are not a member of the Screen Actors Guild and you don’t think of yourself as a player or as an actor – well, didn’t you choose what costume or clothes you were going to wear this evening, whether you’re here or at home? And tomorrow morning your “costume” will be something different, depending on what scenes you intend to take
    part in during the day.

    Your whole demeanor will adapt. You know, think of the word “Good morning.” First thing you say, “Good morning,” that’s to the person you wake up next to. Little bit later in the day, you’re on the phone, “Good Morning” --agent, of course. [laughter] And then if you’re lucky, you might actually meet a casting director (fawning on knees) “Good Morning.” [laughter] This human ability to fit into a variety of situations at home, at work, at play, that’s the basis of professional acting – only doing what comes naturally to everyone.

    Actors interpret other people’s dreams. And I doubt I shall ever tire of the fascinating pleasure of inhabiting a character’s life. It feels to me a little like being a craftsman, you know, learning throughout a career how to act better – like a carpenter aspires one day to make a perfect chair. And screen actors join together in a craft guild, and on occasions like this, discover a common cause from our individual experience of acting.

    And tonight the Screen Actors Guild looks inward on its craft to honor what, for want of a better word, we call “the best” – or just good examples of work that aims to entrance the eye, to delight the ear and to stimulate the mind -- and to glory in the certainty that men and women -- all of us merely players -- have, each of us, a unique story worth telling.
    We actors can’t do it alone, of course – which is why tonight we also celebrate the achievement of ensembles, directors, other colleagues we work with. It should make for an evening of emotion and fun.

    And now my four favorite words: “On with the show!”

    Sir Ian's acceptance speech

    Gandalf thought I’d had my turn, folks. Thank you very, very much indeed.

    Best award I ever got until now was British Actors Equity, who gave me an award for Best Supporting Actor in the West End about 40 years ago. [laughter] There was money involved. They actually gave you a check. [laughter] Come on, Screen Actors Guild! Next year maybe… [laughter]

    I owe this to one man, Peter Jackson, the director who invited me to try and impersonate the icon of Gandalf, and his trust. And the wonderful people he got together to support him in New Zealand—the actors, so many of them here tonight, and the crew. And to him and to SAG, many, many thanks.

    Seen and heard backstage at the SAG Awards

    "He smokes and so do I. He likes a party, Gandalf, and so do I," Sir Ian McKellen on the similarities between his character in "Lord of the Rings: Fellowship of the Rings" and himself.

    Scattergories

    At the Screen Actors Guild Awards on Sunday, the subject came up -- as it always does -- of the ways in which awards categories are determined, and the sometimes mysterious thinking that goes into nominating an actor for a leading or supporting role.

    Sir Ian McKellen -- who won the Actor Award for supporting actor for his performance as the wizard Gandalf in "The Lord of the Rings: The Fellowship of the Ring" -- does not understand the process. Speaking with reporters backstage, he said fellow supporting actor nominee Jim Broadbent ("Iris") doesn't either.

    "Jim ... was just saying to me," said McKellen, "'It's ridiculous, because Gandalf is the leading part and I'm playing a leading part." -- Interest Alert


    The Globe/SAG equation
    Kit Bowen
    hollywood.com

    First, the Golden Globes. Now, the Screen Actors Guild Awards. How much do these two affect the Oscars race?

    Plenty.

    After the Golden Globes handed the best supporting actor award to Jim Broadbent for his portrayal of Iris Murdoch's husband in Iris, it seemed to follow a long list of wins by the actor from various critics' and film associations. WithIan McKellen's SAG win, however, it has become clear that Lord of the Rings: The Fellowship of the Ring deserves more than just technical awards come Oscar time. The Academy may very well bestow the Best Supporting Actor honors to McKellen for his performance as the wise wizard Gandalf to even things out (since it's unlikely Rings will win either Best Picture or director). And it's obvious, he is the popular choice with the people.

    Some say the best ensemble award given to the cast of a movie could be considered an insight into the Best Picture Oscar winner, although only two SAG best ensemble awards in eight years have gone on to win Best Picture. This year SAG gave it to Gosford Park, but it makes sense, doesn't it? The cast was enormous and the fact that each actor managed to have their moment is a feat in itself--but as Oscar's pick for Best Picture? Probably not. And it's nice to see our users want an epic fantasy like Lord of the Rings win it all--but, sorry, chances are very slim. A Beautiful Mind is still the Best Picture frontrunner.

    Full article...


    Happily, all nominees deserve the accolades
    Interest Alert

    HOLLYWOOD, March 11 (UPI) -- With a couple of weeks to go before the 74th annual Academy Awards, other movie honors parceled out this week have helped provide a profile of the four major favorites to win the Oscars later this month.

    The four principal categories: best picture, best director, best actor and best actress.

    Perhaps the key to this year's Oscar puzzle is the individual who wins the best director award in the annual vote taken by the Directors Guild of America.

    This week the DGA voted to give the esteemed distinction to Ron Howard, thus providing a pivotal figure around which the other awards could well fall into place.

    Howard directed "A Beautiful Mind."

    Moreover, Russell Crowe, star of "A Beautiful Mind," without whom the film would not have created such a stir both here and abroad, was on hand to give his director the award.

    Crowe's performance is one of the best movie achievements by an actor in recent memory.

    Together with Howard's deft touch behind the camera, it appears "A Beautiful Mind" will win two of the four major awards come March 24 at the Oscar presentations.

    Crowe's chances improved considerably when, also this week, the Screen Actors Guild voted him best actor of the year for his stunning performance.

    The other four best actor Oscar nominees -- Sean Penn ("I Am Sam"), Will Smith ("Ali"), Denzel Washington ("Training Day") and Tom Wilkinson ("In the Bedroom") are given little chance to beat Crowe for the prize.

    The SAG award for best actress in a feature film went to Halle Berry for her performance in "Monster's Ball," which was a bit of an upset.

    Sissy Spacek ("In the Bedroom") was the favorite in polls around Hollywood, and glamorous Nicole Kidman ("Moulin Rouge") was considered a good bet to win the SAG award, too.

    Judi Dench ("Iris") and Renee Zellweger ("Bridget Jones's Diary") are more or less out of the running.

    Too, Berry is a popular young black beauty and the politically liberal SAG had an opportunity to give a racial minority a boost.

    It is possible, but not necessarily probable, that the big winners in the 2001 Oscar race will be:

    Best picture: "A Beautiful Mind"

    Best director: Ron Howard

    Best actor: Russell Crowe

    Best actress: Halle Berry

    If there are upsets in the best performance contests, look for Denzel Washington to win best actor and Nicole Kidman to edge Berry.

    Long shots for best director and picture are Peter Jackson and "Lord of the Rings: The Fellowship of the Ring."

    There is little chance there will be upsets in either best picture or best actor. Both film and star are unqualified sure things.

    It should be noted that since the inception of the DGA awards in 1949 only five winners of the DGA award have failed to go on and win the Oscar, which makes Howard an obvious Academy Award choice.

    Furthermore, winners of the best director Oscar most often win the Oscar for best picture.

    The academy library reports that in the past 73 years only 19 times has a director won the Oscar when the best picture award went to another film.

    Such was the case last year when "Gladiator" won the best picture award while Steven Soderberg won the best director trophy for "Traffic."

    All the same, many factors will determine the winners, some are so quirky it is difficult to ascertain how the 6,500 academy members will cast their ballots.

    Again, focusing on the best director category, Howard has the inside track. Not just became "A Beautiful Mind" is a superb movie, but because of Howard's personal popularity.

    He is, after all, among Hollywood's most successful directors. He has been nominated for best director three times in the past.

    At 7 years old he played the impish Winthrop in "The Music Man" and was everybody's favorite kid, Opie, in TV's "Andy Griffith Show" and teenager Ritchie Cunningham in "Happy Days" along with other roles in scores of movies.

    The other directorial nominees this year are not as personally popular.

    Robert Altman ("Gosford Park") has been a fractious individualist who often gives Hollywood the back of his hand.

    Newcomer Peter Jackson ("Lord of the Rings: The Fellowship of the Ring") is a New Zealander, largely unknown in the DGA. Ridley Scott ("Black Hawk Down") is a Brit and previous winner whose film was not a big favorite. David Lynch ("Mulholland Dr.") is brilliant but unorthodox and a maverick, more or less an outsider.

    The competition leaves Howard the likeliest winner of the Oscar. But many in Hollywood, including not a few academy members, are convinced Altman should win because "Gosford Park" was a directorial landmark.

    Generally, box-office receipts are not a major consideration for nominating a movie for best picture. This year's five nominees, however, were all hugely successful at the turnstiles.

    Happily, all nominees deserve the accolades.


    Magic of Hobbits still attracts fans
    Aleksandrs Rozens
    Reuters, UK

    NEW YORK (Reuters) - In 1969, a lieutenant with the U.S. Army in Vietnam ran beneath the wash of a helicopter's rotor blades and clambered into the helicopter, where the first thing he saw was a picture of a Hobbit on the back of the pilot's helmet.

    "It struck me -- the universality of the book. Wherever you go and whatever the situations, the book is so popular that somebody has read it and liked it enough to adopt the Hobbit as a logo and talisman," recalled Robert Burgmann, the 59-year-old Vietnam veteran, from his home in Sandwich, Massachusetts.

    John Ronald Reuel Tolkien's trilogy "The Lord of the Rings" became popular during the Vietnam era because, to some readers, it portrayed the triumph of good over evil. For many, the trilogy was a refuge from the chaotic events of the time.

    Three decades later, Burgmann revisited the squat, sweet-tempered and hairy-footed creatures from the books, prompted by the first of three films based on Tolkien's epic.

    His interest is shared by another generation of readers drawn by the movie about Tolkien's mythical world as the United States fights its war on terrorism in Afghanistan.

    With 13 Oscar nominations and nearly $300 million (210 million pounds) in sales after its first two months in U.S. cinemas, "The Lord of the Rings: The Fellowship of the Ring" has cast a spell on millions of viewers.

    That magic, in turn, has stoked sales of Tolkien books, including "The Lord of The Rings," its predecessor, "The Hobbit," as well as titles related to the movie which opened in December.

    Published in 1938, "The Hobbit," the first of Tolkien's books, introduces audiences to Hobbit Bilbo Baggins and a magical world of dragons and wizards. Between 1954 and 1955, Tolkien wrote "The Lord of the Rings," which for reasons of cost his publisher split in three parts: "The Fellowship of The Ring," "The Two Towers," and "The Return of The King."

    ONCE A BEST-SELLER...

    The Tolkien trilogy first hit the best-seller lists when it was first published in paperback in the 1960s and became a favourite on college campuses. The trilogy tracks Hobbit Frodo Baggins's quest to save the world by destroying a magical ring with evil powers.

    Tolkien, a philologist, studied Finnish and Germanic folklore and elements of these are scattered throughout his work.

    Tom Shippey, who wrote "JRR Tolkien: Author of the Century," believes readers are attracted to the Tolkien stories because they portray a battle between good and evil. This mythical pull may have become particularly strong after the September 11 attacks that destroyed the World Trade Centre and damaged the Pentagon.

    "It remained relevant and important to people because it is a response to the great problems of the 20th century, which have been warfare, politics, survival and the origins of evil," said Shippey. "Lots of people took it as a Vietnam commentary and it still has relevance now."

    The sales figures would support that. "Sales have been building in the last three years," said Clay Harper, Tolkien special projects director of Houghton Mifflin, publisher of Tolkien's work in the United States.

    According to Harper, a single volume paperback incorporating the trilogy with artwork from the film on its cover sold 1.1 million copies last year. Year-to-date sales of that edition totalled 640,000 copies.

    Houghton has several versions of Tolkien's trilogy. There are also various related books like guides to the film characters and an official movie guide.

    "The history from a sales standpoint is not peaks and valleys. It is like steps steadily climbing on," said Harper. "For an almost 50-year-old best seller to ride to the top of the best seller lists is a bit of a phenomenon."

    For some younger readers, Tolkien's world of Middle-earth is not their first taste of magic, thanks to the popularity of bespectacled wizard, Harry Potter. "A lot of librarians and book sellers recommend The Hobbit and Tolkien's work as the next step," Harper said.

    But, whether J.K. Rowling's Harry Potter series will enjoy the resilient appetite among readers in 50 years remains to be seen. Houghton Mifflin still receives mail addressed to Tolkien, who died in 1973. Letter writers quiz the author about details in his books such as how he created certain character names.

    But the pace may wane. After all, there are two more films of the trilogy due, one next December and the final one December 2003.

    "I'm a little worried the public will be burned out. If you walk into Borders or Barnes and Noble, it would be hard to miss the large presence of Tolkien's novels," he said. "It is tough to keep that going for three years without people getting tired."


    Oscars: All to play for
    Peter Bowes
    BBC News

    After another weekend of back-slapping in Hollywood, the race for the Oscars remains wide open.

    The film world's latest honours have been handed out by the Directors' and Actors' guilds.

    These ceremonies usually provide a good guide to which movies and actors will take home the gold on Oscars night, but this year, they have merely served to broaden the field.

    The Directors Guild of America chose Ron Howard as its best director for his work on A Beautiful Mind.

    The award hugely increases the former child star's chances of winning the equivalent honour at the Oscars.

    Statistics

    Since 1949, when the Directors Guild of America first started handing out this award, the winner has gone on to win the Best Director at the Academy Awards on all but five occasions.

    But, one of those occasions was in 1996 when Howard won the Guild's award for Apollo 13. He was not even nominated for an Oscar.

    While statistics would appear to be on Howard's side, there is a school of thought in Hollywood that the Lord of the Rings director Peter Jackson could sneak through to take the Academy Award leaving A Beautiful Mind to win best picture.

    Such splitting of the top honours has happened before in years when Academy members are reluctant to overwhelmingly back one particular movie.

    Top honour

    However, an even bigger surprise could be on the horizon.

    The Screen Actors' Guild's (SAGs) top honour, for best ensemble cast, went to the period drama, Gosford Park.

    The Upstairs, Downstairs-themed thriller beat off competition from the Oscar front-runners, A Beautiful Mind and Lord of the Rings.

    An additional boost for Gosford Park came in the category honouring a female actor in a supporting role.

    The award went to British actress Helen Mirren for her portrayal of the housekeeper, Mrs Wilson.

    When it comes to the Oscars, Mirren will face tough competition, in the equivalent category, from A Beautiful Mind star Jennifer Connelly, Gosford Park co-star Maggie Smith, Kate Winslet from Iris and Marisa Tomei (In the Bedroom).

    Russell Crowe appears to have his second Oscar all but in the bag.

    Having already won a slew of similar honours, Crowe was named SAG's top male actor for his portrayal of the mathematical genius, John Forbes Nash, who battles schizophrenia in A Beautiful Mind.

    Despite Hollywood murmurings that Crowe may have damaged his Academy Award chances, following his much reported post Baftas skirmish in London, the unpredictable star is the odds-on favourite to take the Oscar again.

    Shoe-in

    A further surprise at the SAGs was the naming of Halle Berry as best female actor.

    While critically acclaimed for her performance as a down-and-out waitress in Monsters Ball, Berry had not been the favourite to win in this category.

    The actress, Sissy Spacek, was considered a shoe-in to take the award for her already much honoured performance as a grieving mother in In the Bedroom.

    If Berry were to repeat her win at the Oscars she would become the first black actress ever to win in the leading actress category at the Academy Awards.

    In the supporting actor category there is further evidence that several performers have it all to play for.

    The SAG award went to Sir Ian McKellen for his role as Gandalf the Grey in the Lord of the Rings: The Fellowship of the Ring, while fellow British actor Jim Broadbent, had been considered the favourite.

    Mercifully, as this relentless awards season draws to a close, the biggest night of them all looks certain to throw up a few surprises.


    Oscars' hype puts movie fan in right frame for awards night
    Laura Berman
    Detroit News

    Tell me, please: When exactly did going to the movies become homework?

    When did this brief period -- the final days leading to the Academy Awards -- become a cram fest, a kind of Finals Week for film-goers?

    For 11 months of the year, what's playing at the movies is Dude, Where's My Car? and American Pie II. If you want characters and dialogue, you have to wait until late November when, faster than you can say Harry-Potter-and-the-philosopher's-stone, 20 snooty movies open for three days each.

    Which leads us to Finals Week, and the intense peer-driven pressure to be fully prepared for either (a) the various Oscar exams now being disguised as fun "pools" or "contests" or (b) the Oscar evening itself, when one gathers with friends or family and keeps close tabs on who picks what to win.

    You don't want to be humiliated. You can't be the one who picks David Lynch as best director. Or who doesn't realize that Russell Crowe's best-actor award is now in jeopardy, given his tussle with a British awards show producer.

    The net effect is that the Oscars have become an incredible boon to the movie industry, even as they make movie-going a job, a duty, an act of intellectual conscience.

    Or a competitive sport, in which anyone with a movie ticket is a potential Olympian.

    I ducked into an obligatory viewing of Iris, catching Judy Densch undergoing Oscar-nominated trauma. This is a movie that no person who misplaces her keys three times a week should have to sit through.

    And if movie-going isn't a job, why would anyone choose to watch the mental deterioration of an aging author in heart-breaking detail?

    As the time crunch increases, movies that held no interest from an entertainment standpoint when they were first released are now must-sees.

    My red-haired colleague, Ron French, announced in December that under no circumstances would he ever, ever see Lord of the Rings, even if it received 13 Academy Award nominations.

    "I'll be bored in In the Bedroom, but I'm drawing the line with Lord of the Rings," he said. Life being short, the Hobbit movie being three hours long, and having already read 1,200 pages of Frodo and friends in an appropriate developmental period, I agreed that Lord of the Rings was a must-skip.

    But then it got 13 Academy Award nominations. And the movie theaters are getting more insistent with every passing day.

    The Birmingham 8, which sponsors the Woodward Film Society, is turning over its screens to Academy Award-nominated movies for what its spokeswoman, Jill Ulle, calls "the 10-day period" before the Oscars "designated" for Oscar-movie viewing "in response to public interest."

    On Friday evening, Wayne State University film Professor Lesley Brill will discuss Memento with interested film-goers. You can even mark an Oscar ballot, and perhaps win free movie passes for the year.

    I love Oscar week in Michigan: No Armani gown. No red carpet. Just tests, seminars, and -- yes, I give up -- three hours with Frodo.


    Oscars field becomes muddied again
    The Age

    Two weeks out from cinema's highest awards, the Oscars field has suddenly become muddied again, just when the pundits thought they had the Academy Awards winners tapped.

    As some 100 Oscar hopefuls were enjoying a special lunch for nominees in Beverly Hills today, many must have been wondering how Hollywood's biggest mystery would end.

    Two of the industry's most important bellwethers for the Oscars, the Screen Actors Guild (SAG) and Directors' Guild (DGA) awards, instead of confirming the experts predictions last weekend, instead offered fresh mixed signals.

    ``Its still an open race in many ways,'' said Tim Gray of industry staple Variety Daily.

    Since the February 12 Oscar nominations, many experts had been confidently putting their money on Russell Crowe and Sissy Spacek for the best actor Oscars for their performances in A Beautiful Mind and In the Bedroom.

    But, while hell-raising Australian star Crowe picked up the SAG nod - seen by actors as the highest honour from their peers - for his role, Spacek lost out to surprise winner Halle Berry for Monster's Ball.

    Berry beat out formidable competition from Jennifer Connelly for A Beautiful Mind, Judi Dench for Iris, Spacek and Renee Zellweger for Bridget Jones's Diary.

    And SAG gave its best ensemble cast performance award, akin to a best film award, to Robert Altman's 1930s murder mystery Gosford Park, while the DGA honoured Mind director Ron Howard with its top award on Saturday.

    But while his SAG win bolstered Crowe's front-runner status for the Oscars, putting him in line to become the first star to win consecutive Oscars since Tom Hanks took the awards for Philadelphia and Forrest Gump, the battle is not won yet.

    Complicating the annual tea-leaf reading contest, a swirling media debate has erupted over the decision by Mind producers to leave out some controversial element's of the hero's true life story.

    Howard and Universal Studios have been at pains to point out that the film, the story of schizophrenic mathematician John Nash, was not intended to be a bio-pic, but a drama inspired by the Nobel laureate's extraordinary life.

    However, with just a week to go before Oscar ballots are due in, the studio is nervous that criticism of the decision to leave out accounts of Nash's alleged anti-Semitism and homosexual behaviour could hurt the film's prospects.

    In 2000, Universal Studios suffered a similar outcry over alleged historical inaccuracies in Hurricane, a film starring Denzel Washington as beleaguered boxer Ruben ``Hurricane'' Carter.

    Despite Universal's high hopes of Oscars glory, the film lost out on top awards for best picture and best actor for Washington.

    Now they fear that Crowe, who is trying to keep a low profile since abusing a British television producer who cut short his awards acceptance in London last month, could suffer the same fate.

    He faces competition at the Oscars from Kevin Kline for Life as a House, Sean Penn for I Am Sam, Denzel Washington for Training Day and Tom Wilkinson for In the Bedroom.

    In the best pictures category, The Lord of the Rings: Fellowship of the Ring is a strong contender, with a total of 13 nominations compared to eight for Mind, but the Academy is traditionally not pre-disposed to fantasy films.

    Joining Gosford Park as a best picture Oscar wild card is Baz Luhrmann's sumptuous Paris-based musical Moulin Rouge, which surprised industry observers by winning the Producers Guild's top award last week.

    `The Oscars always hold a surprise, so we shouldn't be too quick to write off any of these leading contenders,'' said Oscars author Tom O'Neil.


    Monsters, Hobbits Top Japanese Box Office
    Reuters

    SYDNEY (Variety) - The Japanese box office was super-charged by animated monsters and digitally enhanced Hobbits last weekend, while business in Europe generally sagged and "A Beautiful Mind" took handsome sums in Australia, Turkey and Taiwan.

    Meanwhile, the Mel Gibson vehicle "We Were Soldiers" began its foreign campaign with undistinguished numbers in the U.K., Greece and Singapore.

    "Monsters, Inc." jumped to top spot in its second session in Japan, pocketing $5.2 million, up 19% on word of mouth. That tripled the debut of "2002 Doraemon," the latest edition in Toho's long-running toon series. In nine days "Monsters" has manufactured $13.4 million in Japan, and the weekday receipts are so strong, that Disney expects it to overtake "Shrek's" lifetime Japanese total of $17.9 million by the weekend.

    Disney predicts its toon will match "Pearl Harbor" in Japan; that picture made $56 million. All told, "Monsters" pocketed $10.2 million overseas at the weekend as its foreign total soared to $164.2 million. In Spain, the family picture was, remarkably, No. 1 for the fifth consecutive weekend, advancing to $10.5 million.

    "The Lord of the Rings: The Fellowship of the Ring" was a strong No. 2 in its second chapter in Japan, earning $4.7 million (dropping by a mere 6%), hoisting the territory total to a dazzling $17.6 million. New Line's blockbuster ascended to $477.3 million overseas, buoyed by a $9.8 million weekend, dwarfing domestic's $291 million.

    "Beautiful Mind" rang up $1.5 million Down Under after taking $1.2 million from sneaks. The Ron Howard -helmed drama conjured up $1.3 million in Mexico, $282,000 in Taiwan and $275,000 in Turkey.

    After so-so bows, "Mind" eased by a mild 25% in the U.K., tallying $4.1 million to date, and by a trifling 7% in Germany, where the 11-day total is $3.4 million. The Russell Crowe starrer minted nearly $10 million in 22 markets, elevating its foreign total to $39 million. Italy's $6.3 million and Spain's $4.4 million, both in 17 days, are impressive, as is Mexico's $2.1 million in nine days; France is the weak link with $2.6 million in 26 days.

    Purely from holdovers, "Ocean's Eleven" grossed an estimated $10.2 million from 49 territories, propelling its foreign total to a lofty $226.8 million. The Las Vegas caper retained pole position in its fourth stanza in Blighty, climbing to $26.3 million, and in its second in South Korea , reaching $4 million.

    The Vietnam War saga "We Were Soldiers" landed in the U.K. in fourth spot, notching nearly $1.1 million, indicating that audiences -- despite Gibson's allure -- almost certainly are jaded with war fare after "Black Hawk Down" and "Behind Enemy Lines."

    A valiant warrior in Latin America and Asia but a wimp in Europe, "Black Hawk Down" commanded second spot in Brazil, capturing $490,000, and it was No. 1 in Thailand with $302,000. The foreign total topped $34 million, including Australia's handy $4.1 million.

    Gallic import "Asterix & Obelix: Mission Cleopatra" led the field in Germany, whistling up $2.5 million.

    The Denzel Washington starrer "John Q." fetched a sickly $559,000 in France in its first foreign tryout, reflecting the difficulty of persuading folks abroad to see films set in the U.S. medical system, as "Patch Adams" found.


    "Hobbit Forming Rings Fire"
    Business Wire

    ATLANTA--(ENTERTAINMENT WIRE)--March 11, 2002--The Academy Awards(R) are just around the corner, and TBS Superstation's DINNER & A MOVIE host Paul Gilmartin and chef Claud Mann have been busy whipping up a list of delicious recipes they might prepare for some of this year's Oscar(R)-nominated movies, should those movies come TBS Superstation's way.
        And not only have they come up with a list of proposed meals, they've also concocted complete recipes for three of the dishes, so movie fans can create an Oscar(R)-worthy dinner in the comfort of their own home.
        The hosts of the hit Monday night show usually cook for all-time movie favorites, stirring up such delicious offerings as "Soup on a Stick" (Dumb and Dumber), "Bumpin' Grinders" (Dirty Dancing) and "Mussels and Shrimp" (Twins). But with the approaching Oscar(R) ceremony, the culinary comedians have bigger fish to fry--so to speak.
        Gilmartin and Mann offer up these savory recipe titles and food ideas for those hungry for an Oscar(R)-night feast:

    -- "Russell's Succulent Mussels" (A Beautiful Mind)(a)
    -- "Hobbit Forming Rings Fire" (The Lord of the Rings: The Fellowship of the Ring)(a)
    -- "Cashew's Clay Pot Chicken" (Ali)(a)
    -- "Who Dunnit Holes and Coffee" or "Upstairs Downstairs Upside Down Cake" (Gosford Park)
    -- "Fluffy Bread Spreads" (In the Bedroom)
    -- "Toulouse-Lautrec's Really Short Ribs" or "Can-Can Cannoli" (Moulin Rouge)
    -- "Halle Berry Cobbler" (Monster's Ball)
    -- "Sean Penne Pasta with Green Eggs and Ham" (I Am Sam)

        (a) Complete recipe available online in the Dinner & a Movie section of TBSsuperstation.com.

        For people who are literally starving for good television on Monday nights, TBS Superstation turns the living room into the ultimate kitchen with this ultra-popular combination of America's most popular movies and great recipes based on them. The Superstation will continue following up each week's episode with a "second helping," a special encore movie and recipe airing after the first movie.

        For the past six years, DINNER & A MOVIE has delighted movie and cooking fans with its unique combination of top-notch Hollywood entertainment and mouth-watering recipes. During each week's movie, Paul and Claud give step-by-step recipes for dishes while watching along and providing biting commentary on the movies.

        TBS Superstation, Turner Broadcasting System, Inc.'s flagship entertainment network, is basic cable's #1 network among key adult demos and cable's most-watched network, a position it has held for 25 consecutive years. Reaching 87 million households, the Superstation offers viewers a wide mix of programming, including action-packed original movies, groundbreaking original series, hosted movie franchises, world broadcast premieres, popular sitcoms, Atlanta Braves baseball and college football. The Superstation's Web site is located at TBSsuperstation.com.


    Back to Orlando Bloom Multimedia

  • Site map Orlando Bloom Multimedia Products