The Moscow Times
After blockbusting performances in the United States and Europe, "The Lord of the Rings: The Fellowship of the Ring" has continued its triumphant march into Russia, setting new box office records across the country.
Since it opened in Russia on Feb. 7, the three-hour screen version of J.R.R. Tolkien's classic fantasy has grossed more than 104.7 million rubles ($3.4 million) and been seen by nearly 1 million people, according to a report Tuesday by Karo Premier Film Company, the movie's distributor in Russia.
"This is a movie for the ages," said Roman Isayev, a deputy director at Karo. "The anticipation preceding the movie was something else."
The previous box office record in Russia was $3.05 million, set by "The Mummy Returns" over 172 days last year, Isayev said. "The Lord of the Rings" eclipsed that mark in just 11 days.
Worldwide, "The Lord of the Rings" has earned about $700 million at the box office, Isayev said.
Official box office figures have only been compiled in Russia since early 1999, Isayev said. Before that "Titanic" was estimated to be the highest grossing movie in Russia, earning about $5 million in 1998, he said.
"The Lord of the Rings: The Fellowship of the Ring" is the first of three movies by director Peter Jackson based on Tolkien's "The Lord of the Rings" trilogy -- unusually, director Peter Jackson filmed the movies simultaneously.
The next two installments in the trilogy, "The Two Towers" and "The Return of the King," are slated for release later this year and next year.
Isayev ascribed the success of "The Lord of the Rings" to the interest shown in it by Tolkien fans across the country and also to the massive amount of publicity the movie received in the run-up to its Russian premiere.
Although "The Lord of the Rings" has been showing in some 20 cinemas in Moscow and more than 50 cinemas across the rest of the country, cinema managers say they have struggled to meet demand.
"I haven't seen anything like this before," said Dmitry Baulin, manager at the America Cinema, where the movie has been shown in English with a Russian translation via headphones. "We even had more people come in the second week than in the first."
The America Cinema has put on one to three screenings daily, with tickets costing up to 400 rubles.
"People were willing to pay any money for the tickets, which were quickly sold out," Baulin said. "Some were even willing to stand in the aisle when no seats were left."
According to Isayev, tickets to the official premiere of the movie at the Pushkin cinema cost 300 rubles but were resold for as much as 2,500 rubles.
Other cinemas experienced similarly high demand.
Natalya Gavrilova, a manager at the Karo Film cinema, said that in the first four days, tickets for all the cinema's eight daily screenings were gone by 1 p.m. A manager at Kodak Cinema World said screenings have been sold out on both weekends since the movie opened and that scalping was taking place, although the cinema's management has tried to prevent it.
Cinema-goer Alexei Kuznetsov said that on the Sunday after the movie opened he could not get tickets for any screening at the Pyat Zvyozd cinema even though he arrived at noon. He ended up going to Kodak Cinema World and buying tickets six hours in advance. Kuznetsov added that 250 ruble tickets were being scalped for about 500 rubles.
By Tuesday there were no longer huge lines outside Kodak Cinema World or the Pushkin cinema for afternoon screenings, but managers at both cinemas said they still sell out evening showings.
The huge popularity of the movie has also boosted interest in Tolkien's books.
Valeria Petrichenko, a 20-year-old student who helped set up an online Tolkien fan club (www.tolkien.ru), said she has noticed many new visitors on the web site.
"They said they liked the movie and asked where they could find the book online," she said.
Petrichenko, who unlike many Tolkien fans doesn't have a nickname derived from her idol's works, thought it only natural that people were showing more interest in the books after seeing the movie.
"Tolkien has created an amazingly charming world where people have been able to see what they haven't been able to find in the real world," she said. "People have found a world that they can live in. It's a fairy tale, of course, but a lot there is very relevant to people's relationships in the real world."
A Tolkien fan since she first read "The Lord of the Rings" at age 11, Petrichenko thought the movie was good but not as enjoyable as the book.
Natalya Lagunova, another long-time fan of Tolkien, started a Russian-language web site dedicated to the movie (www.fan.theonering.net/henneth-annun) as early as 1999, when she learned Jackson had begun shooting it.
Lagunova read the first part of "The Lord of the Rings" trilogy in Russian as a college student in 1985. She got hold of the second part five years later and then read the third part in English. She credits this with helping her learn English well enough to pursue postgraduate studies in the United States. She ended up staying for seven years, started a family and gave birth to twins.
Lagunova was among a group of Tolkien fans who helped the movie's distributor when "The Lord of the Rings" was being dubbed. The group came up with a list of recommendations for the movie's translation, based on five different translations of the book that exist in Russian.
Lagunova said that the group's main task was not to irritate Tolkien fans with inappropriate translations.
"We were even trying to consider Tolkien's recommendations on the pronunciation of Elfish names," she said.
Like Petrichenko, Lagunova thought there were some glitches in the final dubbed version of the movie and was very disappointed with the way the main character, Frodo, was dubbed.
Nevertheless, she considers the movie to be a huge cinematic event, especially for Tolkien fans.
"The movie has impressed me -- I love it and criticize it all the same," she said. "I have seen it five times and will be watching again."
Direct Hits
Entertainment Weekly
Dave Karger handicaps the Best Director race. There are only three real contenders, and Robert Altman might hit one out of the ''Park''
Best Director
As difficult as it is to win the Best Picture Oscar without a Best
Director nomination, it's even tougher the other way around. With the
exception of the first-ever Academy Awards in 1929, which gave two Best Director trophies (for drama and comedy), a director has never won an Oscar without a Best Picture nomination. So Ridley
Scott (''Black Hawk Down'') and David Lynch (''Mulholland Drive'') don't have to bother preparing acceptance speeches. What's left is a real three-way race. With ''A Beautiful Mind'' and ''The Lord of the Rings'' neck and neck for the night's big prize, filmmakers (and first-time directing nominees) Ron Howard and Peter Jackson are forces to be reckoned with. But then there's Robert Altman (''Gosford Park,'' up for his fifth directing Oscar after losing the first four (for ''M*A*S*H,'' ''Nashville,'' ''The Player,'' and ''Short Cuts''). A win this year would qualify as a de facto career achievement award, something the Academy, especially in such a tight race, may not be able to resist.
Best Picture
Here's a startling statistic: Since the Academy started listing five nominees per category in 1936, only one movie has won Best Picture without also scoring a Best Director nomination: ''Driving Miss Daisy'' in 1989. That fact all but eliminates ''In the Bedroom'' and ''Moulin Rouge'' from serious contention. And ''Gosford Park'' probably will have a better shot in the writing and directing categories. So this race essentially comes down to ''The Lord of the Rings: The Fellowship of the Ring'' and ''A Beautiful Mind.'' Recent history says that the movie with the most nominations will win -- it's happened 18 out of the last 19 years, the exception being ''The Silence of the Lambs'' in 1991. That would appear to give ''LOTR'' the edge. But if there's any film that could overcome the math, it's ''A Beautiful Mind.'' This will be a fascinating race to watch.
Best Actor
One of the year's most crowded categories left several deserving candidates in the dust. Picking up nominations, as expected, were Russell Crowe (''A Beautiful Mind''), Denzel Washington (''Training Day''), and Tom Wilkinson (''In the Bedroom''). After being left out of the SAG nominations, the amazing Will Smith joined this race for ''Ali,'' and perennial fave Sean Penn rounded out the list for ''I Am Sam,'' beating out Gene Hackman for ''The Royal Tenenbaums,'' Guy Pearce for ''Memento,'' Kevin Kline for ''Life As A House,'' and Billy Bob Thornton for ''The Man Who Wasn't There.'' Perhaps Thornton's incredible year (he received Oscar campaigns for ''Monster's Ball'' and ''Bandits'' as well) actually ended up hurting him.
Best Actress
Sissy Spacek for ''In the Bedroom,'' Halle Berry for ''Monster's Ball,'' and Judi Dench for ''Iris'' -- those we knew were sure things. But the big question for this category was whether Nicole Kidman would split her own vote like she did at the SAG awards, earning no nominations despite turning in excellent performances in ''Moulin Rouge'' and ''The Others.'' Thankfully, she was recognized... for ''Moulin,'' despite stronger reviews (including from Kidman herself) and bigger box office for ''The Others.'' She obviously rode on the ''Moulin'' momentum, since ''The Others'' was completely shut out in all categories. The fifth slot was also up for grabs. In a rare occurrence, Renée Zellweger won a nod for a comedic performance in ''Bridget Jones'' Diary,'' beating out Tilda Swinton (''The Deep End''), Audrey Tautou (''Amélie''), and the year''s critical favorite, Naomi Watts (''Mulholland Drive''), who racked up 10 critics' citations this year.
Best Supporting Actor
The locks in this eclectic category were Golden Globe winner Jim Broadbent (''Iris''), Ben Kingsley (''Sexy Beast''), and ''Ali'' scene-stealer Jon Voight. As ''The Lord of the Rings'' picked up steam over the last month, costar Ian McKellen also rose to the top of the heap, earning a nod as well. As for the last spot, rising star (and soon-to-be Anakin Skywalker) Hayden Christensen seemed a good bet for ''Life As a House,'' and the critical fave was certainly Steve Buscemi for ''Ghost World.'' But perhaps gaining momentum from Denzel Washington''s powerhouse performance in ''Training Day,'' Ethan Hawke became one of the biggest surprises, scoring a nod after being virtually ignored (except by SAG) for the last few months.
Supporting Actress
This, as expected, was the easiest category to predict. After sweeping the early awards (AFI, Golden Globes, and five critics awards) Jennifer Connelly (''A Beautiful Mind'') is now the closest thing to a lock for a win this year. Likewise, ''Gosford Park'' players Maggie Smith and Helen Mirren have been at the forefront of the race all along. And despite being left out of the SAG awards list, Marisa Tomei (''In the Bedroom'') and Kate Winslet (''Iris'') delivered performances too strong for the Academy to ignore. If there was a snub in this category it was Cameron Diaz, who won nominations from the AFI, the Golden Globes, and SAG for ''Vanilla Sky,'' but likely fell victim to the film's mixed reception.
By Gollum, Rings troll is ugly..
Megan Turner
The New York Post
LOOK out, Jar Jar Binks - there's a new movie creature coming to wipe that goofy grin off your computer-generated face.
The second installment of "Lord of the Rings" will prominently feature a slimy little reptilian creature named Gollum.
The second installment, "Lord of the Rings: The Two Towers," will feature two other fearsome creatures: Oliphonts - gigantic beasts resembling prehistoric mastodons - and Wargs, which are wolves the size of horses.
But the creature that has Tolkien fans salivating is Gollum, the hobbit-gone-bad audiences barely glimpsed in "Fellowship."
"He's not just a computer-generated creature - he's a dramatic character in the piece," executive producer Mark Ordesky said from New Zealand, where he and Oscar-nominated director Peter Jackson are in "furious post-production" on the film, which opens this Christmas.
One of Tolkien's most complex characters, Gollum began life as an innocent hobbit named Smeagol, but turned to the dark side after becoming obsessed with the Ring that promises power and immortality.
He covets the ring so badly he eventually becomes physically transformed into an ugly, slithery creature.
"Gollum ultimately has to break your heart," Ordesky says. "He's not merely a villain - you have to feel for him."
To make Gollum lifelike, Jackson's effects company used a combination of traditional animation and motion capture, in which the movements of actor Andy Serkis were fed into a computer and transferred onto the creature.
"I play him as if he's a junkie and his fix is the ring - he goes cold turkey when he's not near it," says Serkis. "I've tried to make him as human as possible in that way."
Review of National Geographic's Beyond the Movie The Lord of the Rings
posted by en penumbras at the Orlando Bloom Fans Board
Entertainment Weekly
#640/641 February 22, 2002
(Complete guide to the Oscars on the cover)
March Bernardin
DOCUMENTARY
Beyond the Movie The Lord of the Rings: The Fellowship of the Ring
(2002, National Geographic, 60 mins., unrated, also on DVD)
After seeing Rings, you were probably thinking, "Gee, I wonder if the encroaching evil in J.R.R. Tolkien's epic was inspired by the industrialization of early-20th-centrury England?" If so, then National Geographic's accomplished, scholarly - and redundant, given all the making-of-press this flick's already gotten - doc is for you. If not, and you just wanted to know how Orlando Bloom (blond-tressed elf Legolas) might look with a black Mohawk, rent away. And get your punk-rocker fantasies under control. B -
'Lord of the Rings' Elijah Wood to woo 'Seventeen'-year-old Mandy Moore
Zap2it
HOLLYWOOD (Zap2it.com) – Frodo Baggins has bagged a pop princess.
Coming off the epic success of "The Lord of the Rings: The Fellowship of the Ring," Elijah Wood has signed on to star opposite singer-turned-actress Mandy Moore in the romantic comedy "Try Seventeen," Variety reports.
Co-starring Franka Potente ("Run Lola Run"), "Try Seventeen" tells the tale of a young man who goes to college, yet discovers more about life and love from the eccentric neighbors in his apartment building than he does from any of his classes.
Shooting is scheduled to kick off in March.
"This script has been a pet project we have developed for the last six years," said producer Michelle Weisler from the movie's production company Millennium Films.
Moore, who is 17 years old in real life, is fresh from the success of her first star turn in the teen romance "A Walk to Remember."